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Maggie is "regarded as the first work of unalloyed naturalism in American fiction." According to the naturalistic principles, a character is set into a world where there is no escape from one's biological heredity. Additionally, the circumstances in which a person finds oneself will dominate one's behavior, depriving the individual of responsibility. Although Stephen Crane denied any influence by émile Zola, the creator of Naturalism, on his work, examples in his texts indicate that this American author was inspired by French naturalism.
- Sales Rank: #1671859 in eBooks
- Published on: 2012-12-28
- Released on: 2012-12-28
- Format: Kindle eBook
Review
"He was the first American writer because he was the first to be passionately interested in the life that surrounded him and the life that surrounded him was that of America."
From the Publisher
Designed for school districts, educators, and students seeking to maximize performance on standardized tests, Webster’s paperbacks take advantage of the fact that classics are frequently assigned readings in English courses. By using a running thesaurus at the bottom of each page, this edition of Maggie, A Girl of the Streets by Stephen Crane was edited for students who are actively building their vocabularies in anticipation of taking PSAT®, SAT®, AP® (Advanced Placement®), GRE®, LSAT®, GMAT® or similar examinations.
PSAT® is a registered trademark of the College Entrance Examination Board and the National Merit Scholarship Corporation neither of which sponsors or endorses this book; SAT® is a registered trademark of the College Board which neither sponsors nor endorses this book; GRE®, AP® and Advanced Placement® are registered trademarks of the Educational Testing Service which neither sponsors nor endorses this book, GMAT® is a registered trademark of the Graduate Management Admissions Council which is neither affiliated with this book nor endorses this book, LSAT® is a registered trademark of the Law School Admissions Council which neither sponsors nor endorses this product. All rights reserved.
From the Inside Flap
This harrowing tale of a young girl in the slums is a searing portrayal of turn-of-the-century New York, and Stephen Crane's most innovative work. Published in 1893, when the author was just twenty-one, it broke new ground with its vivid characters, its brutal naturalism, and its empathic rendering of the lives of the poor. It remains both powerful, severe, and harshly comic (in Alfred Kazin's words) and a masterpiece of modern American prose.
This edition includes Maggie and George's Mother, Crane's other Bowery tales, and the most comprehensive available selection of Crane's New York journalism. All texts in this volume are presented in their definitive versions.
Most helpful customer reviews
31 of 32 people found the following review helpful.
An Easy Read with Power and Dark Humor
By maxmf@yahoo.com
If I were pressed to use one word to describe this book itwould be dark. However, Crane's novel is a moving piece with momentsof transcendence and rampant dark humor.
Basically, it is the story of Maggie, an undeveloped character who takes the back-seat to her loud and abusive parents, her swaggering, self-confident brother Jimmie and his friend, the boastful Pete.
The novel chronicles the injustices that surround Maggie, who is quiet and doesn't fight back. A chilling look at poor, urban life in the late 1800's, it is also a tale critical of society's judgmentality and questioning of morality. A more complex novel than it seems on first look, it is wonderful to take apart and examine the relationship between Maggie and Pete, Maggie and her mother, and Maggie and Jimmie.
Most importantly, however, are the quiet moments of transcendence in this novel.
14 of 14 people found the following review helpful.
A Blossom in a Mud Puddle
By Borowy26
I reread Stephen Crane's "Maggie: A Girl of the Streets" yesterday. It was the first time that I had revisited the book in almost thirty years. Originally, I read Crane's writings in a seminar course which compared his pioneering works to those of Ernest Hemingway. There were common themes in the works of both authors and they both employed a naturalistic style. Crane was more poetic, however, while Hemingway was more workmanlike in his choice of words and phrases.
This tragic story takes place in the slums and the garment district. Maggie is the daughter of two alcoholic Irish immigrants. Her youngest brother dies during early childhood. Her older brother spends his youth fighting rivals in the streets and enduring beatings at the hands of his intoxicated parents at home. In adulthood, Jimmie becomes a teamster and introduces his sister to his friend Pete, a well dressed local bartender. Pete is taken with Maggie's shape and begins courting her. Eventually, Maggie quits her five dollars a week job at the cuff and collar factory and leaves home with Pete. This ill considered decision is the beginning of her ruin. Pete cares nothing for Maggie. She is a only a passing fancy.
Environment determines everything in this sad tale. Alcoholic rages and casual acts of random violence occur on almost every page. Crane employs dialect to reflect the speech patterns of his characters. When Pete abandons Maggie for Nellie, a stylish prostitute, the saddest line of dialogue is Maggie's question: "Where kin I go?" Disowned by her widowed mother, who is herself a frequent defendant in the police courts on account of her drunken behavior, and brother, whose own relations with women are not much better than those of Pete, for having gone to the devil, Maggie begins walking the pavements alone and becomes one of the scarlet legions.
Initially, Crane had to self publish this book since it was considered to coarse and profane to print. It proved to be unprofitable and he gave many copies of the limited first printing away. Unlike "The Red Badge of Courage," there is no place for heroism and redemption in the Bowery streets inhabited by Maggie, Jimmie and Pete. This sad account of an unfortunate woman driven into a life of prostitution is far removed from the nightly celebrations at the opulent Everleigh Club.
It is humbling to think that Crane was capable of creating such a novella while he was scarcely over the age of twenty and that all of his poetry and prose was completed before his death at the age of twenty-eight.
11 of 11 people found the following review helpful.
Realistic; very sad
By kelsie
Of all his works--'The Red Badge of Courage' included--Stephen Crane loved most his 'Maggie,' and for good reason.
'Maggie' is the tale of an inevitable fall from grace on the part of a young, innocent girl trapped in the vicious world of New York City's slums. Yearning for acceptance and love, beaten at home by alcoholic parents, Maggie sets out with Pete, a local bartender whose "cultured" mannerisms elicit great respect from the impressionable young girl. However, when Pete spurns her for another, Maggie is ejected out onto the street, forced into prostitution to make a living. We last see her moving off, a huge, oily fat man in tow, for a darkened corner in the city's seedy underworld.
If Upton Sinclair's 'The Jungle' is a torrent of social anger and protest, Crane's 'Maggie' is like a brilliant lightning strike, flashing across our vision and leaving us temporarily blinded. The book--scarcely 70 pages--is succint, brutish, and merciless. Crane allows his readers to form their own opinions regarding the characters. His innovative use of near-phonetic spelling to depict in the reader's ear the local dialect of New York's rough neighborhoods was shocking and difficult to comprehend when the book was first released. It lends "Maggie" an air of earthy legitimacy.
Ultimately, "Maggie" is a cry for the plight of poor children--the souls we overlook with a callous unease mirrored in Pete's offhand, uncaring rejection of young Maggie's genuine love and affection. It is, without qualification, Stephen Crane's greatest and most moving achievement.
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